VJ Hume of CV Independent writes, “Conflict begins with the play’s first words. This solid cast of actors, some whom Shaw has imported, have all done their backstory research, so we meet fully realized characters. These people take pride in working with their hands and in being multi-generation factory workers. This is a life so far removed from our sunshiny world in the Coachella Valley that it’s spellbinding. This play’s dark atmosphere implies the gloom and grime of the steel mill where these people toil, but the neighborhood bar is a familiar haven that promises light, music, warmth and relaxation. Alas, it is also the setting for gossip, heartache, blame, jealousy, frustration, injustice, revenge and eventual violence.
The main set is a neighborhood saloon. Created by the amazing Thomas L. Valach, who has given us so many fabulous and varied play designs, it is the quintessential cozy bar—and Shaw confided that it is a functional one, too! Watch the bartender! The stage is expanded when the actors chase down the aisles, and later, an extra hidden set pops out, too, courtesy of the show’s most excellent lighting by Phil Murphy. Kudos to all the techs who contributed their brilliance to the success of this play, all aided by Shaw’s flawlessly balanced blocking. Terrific work, all.
Some performances are already sold out, but see Sweat if you can. Believe me: After what happens in Sweat, you will leave the theater shaken AND stirred.”
For the complete review, click here.